Curious remarks in Venice: Palazzo Grimani di San Luca
This palace was built in the mid-16th century for the procurator Gerolamo Grimani by the architect Nichele Sanmicheli and completed after his death by the architect Gian Giacomo de' Grigi, known as the Bergamasco.
A legend connects these large openings to an episode rekating to a young Grimani. The young man wanted to marry a young lady of the Tiepolo family, so he asked for her hand, receiving this reply from her father:
"It shall never be said true that I gave the hand of my daughter to a desperate man that has no palace on the (Grand) Canal".
At that, young Grimani promiused that he would have built a house with windows larger that the doorway of Ca' Tiepolo, and so it was.
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Free Walk in Venice is just the first project of the Isola Tour non-profit Association, officially registered in 2014 by Venice lovers and professionals in the tourism sector as well as cultural and heritage managers.
We help our guest and supporters of our Association to know the real and hidden Venice that we love..through the original free tours of Venice!
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Do you want to know people coming from different parts of the world, discovering the real hidden Venice?
Wear your best smile and join FREE WALK IN VENICE, our Venice free tour ! - English activities Everyday - italiano su richiesta per gruppi- www.freewalkinvenice.org
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The Venetian diarist, Marin Sanudo (1466-1536), summed up one of the paradoxes of Venice when he wrote: "Venexia è in aqua et non ha aqua" (Venice is in water and it doesn't have water).
|Natural History Museum|
|Ca' d' Oro|
|Corte S. Andrea|
|Campo Santi Giovanni e Paolo|
The bell tower of the san Polo church is a typical example of a medieval Venetian bell tower with a cone spire; the front door is surmounted by two special sculptures in a Romanesque style: a lion grasping a snake and another lion holding with the front legs a human head. Medieval ecclesiastical buildings were often decorated with monsters or wild animals, often to emphasize the difference between the outside of the church, where there was bad, and the interior, the house of God.
Popular tradition has given the two figures, however, a very different meaning, linked to the history of Venice. The snake caught between the claws of one of the lions represents the conspiracy of Tiepolo Baiamonte, "crushed" by the Council of Ten. In 1310 Baiamonte Tiepolo took charge of a conspiracy of young Venetian nobles to overthrow the government of the Republic of Venice, but on that occasion he was discovered and, to ensure the internal security of the state, the Council of Ten was created, which sadly became famous for its ruthlessness in eliminating any possible enemy of Venice.
The human head on the other lion could be Bussone Francis, Count of Carmagnola, captain of the Venetian troops in the war against Milan (1425). In 1432 the Venetian Senate, however, accused him of treason and had him beheaded.
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Do you want to know people coming from different parts of the world, discovering the real hidden Venice? Wear your best smile and join FREE WALK IN VENICE, our free tour in Venice! - English activities Everyday - italiano su richiesta - www.freewalkinvenice.org
During our free tour, FREE WALK IN VENICE, when we start from our San Geremia meeting point (we have 4 different ones) we go also to discover the Venice Jewish Ghetto.
So, do you know that Venice is also famous because the first ‘Jewish Ghetto’ in the world was based here?
It is the area where the Jews were forced to live and that has shaped many other European cities! When visiting the Venice Ghetto one learns that since the 16th century there have been five synagogues, but today it is almost impossible to recognize them in the tall buildings if you do not know what to look for. In this district, there are, in fact, monumental buildings separated from the rest of the houses, since the Jews in Venice only had a small space around the squares of the Ghetto Nuovo and the Old Ghetto, and it is for this reason the buildings are very high, because it developed as the population grew.
Synagogues were then built on top of the normal housing because, according to the teachings of the Talmud, places of prayer should rise over the city, and from outside they are only recognizable by counting the windows. In fact, all the synagogues of Venice have five large windows, to provide them with more light. According to the Talmud light is fundamental to a synagogue because it is a symbol of life, and therefore, of God. On the choice of the number five there are various interpretations, but the most likely is connected to the distribution of Talmud, precisely divided into five parts, which represent the manifestations of light.
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